February 7th, 2012
Often, I would catch it in the mirror as I stepped out of the shower. A spectre, it floated as a black spot in my vision, as though it were something lodged in the corner of my eye and not, instead, nestled malignly below the skin. Against the white of the sheets it shocked me, like a puddle of blood marring the clean cotton. I would sneak glances at it, trace its uneven border with one outstretched finger, as if a child on the brink of discovery.
Zoe Dzunko, “The Bruise
February 6th, 2012
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of the iceberg is due to only one-eighth of it being above water.
Ernest Hemingway, Death in the Afternoon
February 6th, 2012
When I write fiction, I understand people.
Alex Moody, “Container #7
January 31st, 2012
There was hopeful, corny graffiti on a rock: ‘I’VE SPENT ALL MY LIFE IN SEARCH OF YOUR LOVE.’
Robb Todd, “The City From a Bridge
January 23rd, 2012
Whenever we took Deuce to meet anyone, we made sure his hands were hidden.
Nathaniel Tower, “Two Hands Are Better Than Four
January 20th, 2012
I know few towns which inspire me with so great disgust and contempt.
Edgar Allen Poe on Brooklyn. Quoted in Dwight Garner’s review of New York Diaries: 1609 to 2009. (via mcnallyjackson)
January 20th, 2012
I was embarrassed to take Deuce home.
Nathaniel Tower, “Two Hands Are Better Than Four
January 19th, 2012
Delay is natural to a writer. He is like a surfer—he bides his time, waits for the perfect wave on which to ride in.
Reblogged from The Paris Review
January 17th, 2012
The ending constantly revises itself.
J. Bradley, “Leaving The Silver City
January 13th, 2012
The broken fellows will call to us but we’ll turn deaf while we shrivel in the afternoon. Our magic will dissipate just in time for the saws to cut through us and we’ll bleed and bleed to show who’s grounded.
Nicolette Wong, “Last Night On Oil Street
January 11th, 2012
They say fiction requires conflict; well, when New York was a war of all against all, you had all the conflict you could handle any time you put your feet on the street.
Madison Smartt Bell, “Writing the City
January 10th, 2012
All stories are old stories, you said.
J.E. Reich, “The Story of Us
January 3rd, 2012
It is easy to see the beginnings of things, and harder to see the ends.
Sarah Flynn, “Goodbye To All That
December 19th, 2011

From 'The Philadelphia Story'

Tracy: Don't tell me you've forsaken your beloved whiskey and whiskeys.
Dexter: No, no, no, no. I've just changed their color, that's all. I'm going for the pale pastel shades now. They're more becoming to me. How about you, Mr. Connor? You drink, don't you? Alcohol, I mean.
Mike: Oh, a little.
Dexter: A little, "little." And you a writer? I thought all writers drank to excess and beat their wives... You know one time, I think I secretly wanted to be a writer.
Loading tweets...

@fwrictionreview

Likes

This is fwriction, the official blog for the online literary journal, fwriction : review.

Hi. It's nice to meet you.





Submit to fwriction : review

fwriction : review