I wasn’t going to post a story of the day today, but after following the suggestion of American Short Fiction and reading this piece from Gina Frangello, I couldn’t hold back. Enjoy this memoir, which cuts to the core of why we write:
The cocktail party version of the story leaves out rather a lot, of course. It leaves out the way my mother-in-law screamed at my husband on the telephone almost daily in the weeks leading up to our son’s birth, and even in the hospital hours after my C-section, then two days later, when we’d first brought Giovanni home. It leaves out the way our stomachs lurched every time the phone rang. It leaves out that she insinuated that—because of the sexual abuse themes in the novel—I could be abusing our five-year-old twin daughters: an allegation made as though this were a reasonable conclusion, as though Agatha Christie must be a murderer and Stephen King a kidnapper of injured writers or the owner of a possessed car. When finally pried from the notion that I was a sexual predator, my mother-in-law then deduced that my parents must have abused me, and pronounced them “evil people,” turning her attention to railing against them on the telephone whenever my husband actually took her calls. It leaves out the fact that our daughters had previously been close to their grandmother, and had no explanation for why she did not call or see them for half a year. It leaves out the part about how little I thought, during those months, of the joys of giving birth, so consumed was I with a sense of toxic outrage like battery acid spilling everywhere into my life.
